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Exhibitioning

by Drekka

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1.
2.
Final Torch 04:44
3.
4.

about

This EP was originally made as a promo for booking shows. In the 90's one couldn't just direct venues to your... well, Bandcamp page.

It contains a couple songs from the then new Drekka cassettes, as well as a track which was intended for a comp on Kylie Prod, UK... not really sure if that comp ever came out.

'Final Torch', despite being played live a lot in the late 90's and early 00's, was never officially released on anything else besides this EP -- I am pretty sure, at least.

I love this EP, and esp the great collaborative artwork by Kirstin Grieve and myself.


The download comes with a PDF of the original slipcard artwork, in case you want to make your own facsimile copy at home.

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credits

released July 1, 1999

Bluesanct (INRI055x, 01 JUL 1999)
• CDR = ltd to 200 copies
• DIGITAL = unlimited

digital re-release 25 July 2012

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Drekka EP for shows

This is a promotional EP for use in booking shows. It is not to be sold, but if you hate it you can give it to someone who might like it or send it back to me.

I won't be mad.


SONGS:

Extractioning
Final Torch
Posterity is Futile
untitled filmshoot


songs 1+3 are from 'Exactioning', cat.no.INRI044, Bluesanct Musak
song 2 is from an upcoming comp on Kylie Prod, UK
song 4 is from 'There can make nothing of difference', cat.no.INRI028, Bluesanct Musak

everything by Michael Anderson, except photography and drawings by Kirstin Grieve

all songs c+p 1999 Vegvisir Publishing, Bluesanct Musak Recording Corporation

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More from Drekka:
bluesanct.com/drekka
drekka.bandcamp.com
drekkalivearchive.bandcamp.com

Contact
mkldrekka@gmail.com

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license

all rights reserved

tags

about

Bluesanct Bloomington, Indiana

BLUESANCT DISCOGRAPHY:
bluesanct.com/archive/bsmdisc.html

Started in 1995, Bluesanct has over 100 releases from artists all over the world on Bluesanct and sister label, Orphanology.

We are excited to re-issue the many out-of-print titles here on Bandcamp.


BLUESANCT IS NOT ACCEPTING DEMO SUBMISSIONS AT THIS TIME


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